
Building a world has forced me to concentrate on something closely. The issue I have with my writing endeavours is that I don’t get into them enough to fully feel comfortable and confident. I tend to imagine great things and then loose my place and grip as they seem too big to undertake, or I make up an excuse to not do it: time, kids, lack of imagination. These things are great distractions, but sometimes I feel I rely on their presence to forgive myself for not writing.
This little WBM exercise has given me the tenacity and interest to follow something up and build upon it, and for that I thank it. But that’s not to say I don’t have a few reservations.
The way I approached this was to take a frame put in place some time ago, throw shit at it and see what sticks. I didn’t expect much, but over time things began to fall into place quite neatly. That for me has been world building in it’s purest form: I built a world from basically nothing.
Now regular readers (haha, all one of you) know that I am not so keen on super-detailing what I create. This is simply a mishmash of taking something and running with it — leaving some details to find their place — and the simple fact that I have seen my fair share of procrastination by creation and there’s nothing quite like creating a plethora of details and not actually doing anything with them, or even worse, suffocating the reader with so much information they have nothing to create themselves.
I think this brings me to my one gripe with WBM and the worlds I have seen. Simply put, there seems to be way too much foundation to some. Don’t get me wrong, it’s required that we — as writers — create a supportive framework and colour it to some degree, but to put in place so many rules and erroneous ‘facts’ that nothing is left to think about appears a little to constrictive to me.
I’ve mentioned before, I have created pencil maps and given names to everyone and everything from the top to the bottom, but It never seemed to work to create anything but an intellectual property akin to Lord of the Rings. Do we really need to know the double-barreled, or hyphenated surname of every main character? Is it necessary to draw a map and geographical locations of everything including Mr. Cobblepots cabin on the Hukkanar Shores and the Kingdom’s stables in the lowlands?
A lot of this to me seems like romance. The writer is falling in love with their world so much that it interests them more than us. What do we have to do when the author has already done everything? Surely we’re just along for the ride, but forget imagining your own version — this one has been illustrated in an Adobe suite and stuck inside the main cover so you can refer to it every ten pages. Want to know what kind of birds circle the King’s tower in Far Far Away? Flick to the index of the companion (which you had to buy separately) and give it an eyeball.
Somebody will be offended, but that’s fine. I’m sure I could be accused of doing pretty much nothing and how my style of creation is questionable in comparison to the boatloads of notes and folders and cabinets of those who are writing their seventh book in a set of ten.
This also hints at something else I noticed during WBM. There seems to be a lot of worlds built already. I know I’ve created pools of shadows in respect to some individuals and there monoliths, but I have created it all here. You can see where I started and where it goes. When I browse the others taking part I notice a lot of ‘copy-pasting’ — where writers are simply showcasing the worlds they created a millennia ago, and not actually building anything.
Call me opinionated and tell me to shut the fuck up. That’s okay, nobody every had a point of view agreed upon by everyone. But, when I read this ‘Exam’ via Cirellio’s blog, it made me chuckle a little. I think J.R.R. Tolkien’s influence has stretched far and wide, but when I see the amount of work put into the worlds I see, I wonder how much he put into his… somehow I don’t see him spending all his time creating worlds and details and names, but writing.
Some thing’s need to be left to the imagination and no writer should fall in love with their words. I would hate for talented individuals to get buried under all these ultimately hollow details without ever sharing the meaning, or teachings of what lies behind their story. A happy medium, I guess is what would be my point. JanVanHove seems to have found that in his Return to Old Earth, as in reading his entries I find myself intrigued, but not overburdened by alien names and space ship designs. There are no pictures of what humans look like in the 30th Century — I get to imagine that myself.
As writers, I feel we should create the worlds, but let the readers live in them.




